How would you define what you do?
My work is rooted in the traditional craft of silversmithing. I use the same materials, tools and techniques that silversmiths have been using forever. I apply this to create art pieces, where techniques are used in a way that they are no longer obvious, but give the piece a higher aura.
What do you love most about your profession?
As an artist I feel the need to make and create. The fact that I can do that and exhibit my creations is very gratifying. Moreover, my work is the reason I became a professor and gives me a way to travel the world. My profession and my art are integrated into my life.
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What effect do you look for in the objects you create?
I like that the piece, and the way it is finished, shows the use of my hands in its making and thinking. In many cases I like my pieces best when they are made the first time, when doubt is somehow still tangible in the piece.
Is there anything about your work that people don’t normally know?
Usually people have no idea of the huge amount of time and expertise necessary to create my work. These things are not visible. On the other hand, this forces me to look for ideas that go beyond technique and material, like poetic and universal concepts that speak to the heart.