Organic patterns applied to the surface of these silver bowls are highlighted by the refraction of light produced by the transparent orange shade of the vitreous enamel.
Growing up in Northern Ireland to a silversmith father and an enameller mother, Cara Murphy was immersed in creativity. It was inevitable, then, that she would go to art school, but she didn’t know if she would choose the same path as her parents. She initially toyed with graphic design, before realising that the act of making was what she was really passionate about. After studying silversmithing and jewellery in Glasgow and London, she returned home to Northern Ireland. She now works alongside her father in a shared workshop, creating nature-inspired silver tableware, often with enamel accents, after learning her mother’s skill of enamelling.
Read the full interviewPhoto: © David Pauley
Organic patterns applied to the surface of these silver bowls are highlighted by the refraction of light produced by the transparent orange shade of the vitreous enamel.
Photo: © David Pauley
The organic patterns applied to the surface of these blue shade enamel silver bowls are highlighted by the refraction of light created by the transparent shade of the vitreous enamel.
Photo: © David Pauley
These four silver bowls have each been finished with a different shade of vitreous enamel. Each bowl is glazed in a gradually darker colour, from yellow to green, representing different shades of grass.